Bones & Booth Photo
| Episode Title
| Bones & Booth Story
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 | The Finger in the Nest (404)
| - Booth helps Brennan bury a dog she was going to adopt. She is very emotional and he comforts her. She tells him that he's a very good father.
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|  | Yanks in the U.K., Part Two
| - Booth advises Bones not to sleep w/ Dr. Wexler, because "[she's] special and Wexler is not". Bones ultimately does decline to sleep w/ Wexler, feeling it wrong to "offend her partner for an hour of fun".
- At the end, Booth, after being dubbed a Junior Knight by Agent Prichard, offers Bones his arm as they leave the dining hall. She says, "Thank you Sir Seeley", and he responds, "Pleasure, Mighty Temperance."
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|  | The Man in the Outhouse (403)
| - At the end of this ep., they are in session with Sweets. We find out both of Brennan's boyfriends, unhappy about her dating each of them at the same time, have broken up w/ her. Feeling bad, Booth says to her, "If Mark and Jason don't know how lucky they are, they don't deserve you in the first place." Then when Brennan tries to brush the pain off and dismiss all of her relationships as being "temporary anyways", he says to her very seriously, "You're wrong Bones, there is someone out there, someone you are meant to spend the rest of your life with, you just have to be open enough to see it", and they stare deeply at each other for a few moments. (Even Sweets gets a big smile on his face to see this.)
- And after that, they say they have a surrogate relationship with each other, and Booth offers to buy Bones dinner. It's like a little surrogate date.
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 | The Bone That Blew (411)
| - Booth and Max Keenan (Brennan's father) talk and Max asks if Booth is sleeping with his daughter. Booth says no, and Max asks a few more questions ending with a question as to why Booth isn't with Brennan. Booth's best line in this scene is when he says that Brennan is beautiful with a sincere look on his face (very sweet!)
- Bones and Booth are watching Max and Parker do an experiment together. Booth explains to Bones that she should let Max continue working at the Jeffersonian, so that she and Max can enrich Parker's life with science. Bones agrees to let Max stay. (It's sweet.)
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| | The Con Man in the Meth Lab (409)
| - When Booth first introduces Brennan and Jared, Jared calls her Bones, and Booth immediately corrects him, saying, "It's Dr. Brennan." (You know no one else can use that name expect maybe Parker :) )
- Booth gets slightly jealous when his younger brother, Jared, takes Bones as his date to a party.
- Also, at the end, Bones gives a very heartfelt toast to Booth at his birthday party, and Booth opens up to her to reveal more about his personal life.
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|  | The Passenger in the Oven (410)
| - At the end, Booth blames himself for Bones having to stay on the plane and miss seeing ancient Chinese bones. He says to her, "I was the one that pulled you out of pure science and dragged you into murder solving." Bones replies, "That's not how I remember it." Booth, "Really?" Bones, "Yes, as I recall, I had to force you to take me out in the field. You didn't want to, remember. This is all my fault." Then they both lean towards each other and smile almost as if they might kiss.
- Booth sees Brennan with the glasses on and remarks, "Bones. All right, what I want you to do is take off your glasses, shake out your hair and say, 'Mr. Booth, do you know what the penalty is for an overdue book?'"
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 | The Perfect Pieces in the Purple Pond (405)
| - Brennan fixes Booth's back.
- Booth constantly defends Brennan from comments made by others. Also, at the end, Bones throws away the draft of her latest book because of harsh comments made by a publisher they interrogated. Booth pulls the draft out of the trash, and we find out that Booth has memorized all of Brennan's book reviews and has read every one of her books.
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| | The Fire in the Ice (413)
| - Beautiful moment on the ice.
- At the beginning, when Booth is in the penalty box, Bones smiles and waves at him, and he smiles and waves back. Also, after the game is over, Bones goes into the guy's locker room to make sure Booth is okay, totally oblivious to the fact that she's entered the men's locker room.
- When Booth falls on the ice and is knocked unconscious, Brennan rushes out on to the ice to make sure he's alright. When he finally comes to, he asks what she's doing there, and she responds, "I don't like it when you fall down and don't get up."
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|  | The Hero in the Hold (414)
| - Not only does Bones rescue Booth at the end, but there's a not too surprising conversation between Booth and "the ghost" (Cprl. Parker), where the ghost asks Booth to deliver a msg. to Claire, the girlfriend he left behind when he died. He says to Booth, "Tell Claire I loved her." Booth responds, "You never told her?" Parker, "I couldn't, I was only 20." Booth, "You say I love you, what's so hard about that?" Parker, "What? You've never loved someone and never told them?" The camera flashes back to Booth, who has this stunned look on his face, and it's obvious the answer is yes!
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|  | The Princess and the Pear (415)
| - After Bones and Sweets are in the car accident, Booth wants to come in, despite his back injury, to protect her. Over the phone, Bones tells him stay home and rest, and then he tells her to put Agent Perotta on the phone. He says to Agent Perotta, "The only reason I'm not coming in is because Bones told me not to, but nothing can happen to her. If anything happens to her...you know, that silky black hair and that smooth skin...(Booth is still on pain killers at this point, so he's a little drugged up) but even so, he obviously cares about Bones.
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|  | The Bones that Foam (416)
| - At the end of this ep., Bones asks Booth what he thought of her interrogation. He tells her she did great, but she knows that's untrue. She says the to him, "My thing is bones and yours is people." Booth then asks, "So you're admitting that I'm better at something than you are?" She immediately answers no, but then quickly changes her answer, saying seriously, "Yes, a lot better. " Booth responds, with the kindest smile, "Thanks Bones."
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| ![[Untitled]](http://image.wetpaint.com/image/1/DBeOftXG05I7KqzC_fphYg47290/GW302H197 "[Untitled]") | Double Trouble in the Panhandle (412) | - Boris and Natasha (Booth and Bones) are about to present their knife throwing act to the audience. Bones, having complete faith in Booth, wants to go all out and use props in their act. Booth tells her no props, and when she asks why, he tells her that, above all, he's concerned with her safety.
- Near the end of this episode, Booth becomes very protective of Bones, who with a patch on one eye, decides to try the high-wire.
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| | The Salt in the Wounds (417) | - At the end, when Booth is in the diner, explaining to Clinton the real consequences of his actions, we see Bones watching him from across the street. By the look on her face, you can tell she understands what a truly incredible guy Booth is.
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|  | The Science in the Physicist (419) | - Near the beginning of the episode, when Hodgins and Mr. Nigel-Murray cause an explosion with their experiment, Booth quickly presses Brennan against the wall for protection, and the heat between them is undeniable.
- Also, throughout the episode, there is obvious flirting going on between them. And at the end, Booth tells her she's the only smart person he really likes, while she tells him that although he may not share her mental capacity, he has a wonderful gift for using intelligence.
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|  | The Skull in the Sculpture (408) | - At the end, Booth and Bones are watching Sweets and Daisy kissing on the forensics platform. Both agree that such a relationship will never work because Daisy is a woman of science and Sweets bases his life on psychology and common ground is needed between them. It is at this point that Booth and Bones realize they just happen to make that sort of relationship work everyday and quite well, I might add. (Just watch the looks on their faces.)
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|  | The Cinderella in the Cardboard (420) | - At the very end, we see Bones at her most vulnerable. She finally lets her guard down, and reveals to Booth that she too wants to experience true love. Booth assures her that she will "someday". (Hint, hint!)
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|  | Mayhem on a Cross (421) | - At the end, after learning of Sweets' childhood trauma, Bones reaches out to him by sharing a tearful story of her own, and Booth hands her his handkerchief. She then prompts Booth to do the same, and with tears in his eyes, he reluctantly reveals his own childhood trauma. Unwilling to go into detail, Booth quickly turns to Bones to make sure she's alright, and she gently returns the handkerchief in his lapel pocket, pressing on his heart. (They stare at each other for a few seconds, and you can truly see how much they care about each other.)
- Also, Gordon Gordon tells Sweets that one of them knows of their romantic feelings for the other and struggles with such knowledge daily, but he doesn't say which one. Hmm...
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| | The Double Death of the Dearly Departed (422) | - At the very end, Booth and Bones are walking from the cemetery together. Booth makes Bones promise to come "talk to him" after he dies, and she agrees. When he asks why she agreed, she explains that doing so would force her to figuratively see herself through his eyes, therefore allowing her to live a more successful life. With his arm around her, Booth tells her that that was the nicest thing anyone has ever said about him.
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|  | The Girl in the Mask (423) | - Throughout the episode, there are subtle hints made about the deep connection Booth and Bones obviously share in conversations with Det. Nakamura and Dr. Tanaka, who seem to share a similar relationship.
- At the end, Booth explains to Bones that humans are designed to handle anything and that loving someone else is always worth it, "every moment and everything around it".
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| The Beaver in the Otter (424)
| - During the episode, Booth says that every person has to purposely do something bad to therefore learn to be good. At the end, Bones feels left out for never having done something "bad", so Booth teaches her to be bad (unbeknownst to her he's pretending) and makes her feel better.
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| | The Critic in the Cabernet (425) | - Brennan, believing it to be a simple request, asks Booth to make a "donation" so that she can have a baby. At first, Booth appears comfortable with such a casual transaction, but as the episode progresses, things grow complicated as long surpressed feelings arise for both partners. When Booth's illness is discovered, we finally see the true nature of their relationship. (Fantastic moments!)
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| | The End in the Beginning (426) | - In this season four finale, in an unexpected twist, we discover that Booth and Brennan are married night club owners under investigation for murder. The story progresses in this odd fashion until the final scene, and it is the then that we are brought back to reality. Sitting at Booth's hospital bedside, Bones is typing something on her computer and reading it aloud, only to delete it. Finally, Booth wakes, muttering about a weird dream and wondering if it had all been real. With sadness in her voice, Bones tells him it wasn't real, and he then shockingly asks, "Who are you?" (Can't wait to see what happens next season!)
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![[Untitled]](http://image.wetpaint.com/image/1/ujn30_NohvoFXlp8HBEacQ34703/GW300H195 "[Untitled]")
